107中国符号学传统从符号学看写意风格文本的意义生成以霍去病墓石雕为例赵锐锐摘要：从“有”和“无”的感知层面，可以将符号分为实符号与空符号，形成的就是实符号组成的一般符号文本和实符号与空符号组成的特殊符号文本。后者的符号文本在艺术中常常被归结为写意风格。霍去病墓石雕作为写意风格的佳例，让我们看到其意义生成方式：实符号与空符号贯通又排斥的互动关联。在符号文本中，实符号与空符号是矛盾的，需要矫正解读一一实符号是惯例性的，提示着符号的阅读方式，空符号又排斥这种惯例的局限性。贯通源于实符号提示文本的体裁，排斥来自空符号显示的对实符号空缺的停顿，这一停顿就指向实符号的局限性。所以，空符号拒绝体裁惯例的态度是艺术文本中写意风格的反体裁情态的附加码。关键词：空符号，霍去病墓石雕，写意风格，留白ASemioticAnalysisoftheGenerationofMeaninginTextwithFreehandStyle:HuoQubing'sTombstoneSculptureZhaoRuiruiAbstract:Basedontheperceptionof“non-voidness"”and“voidness",signscanbedividedintorealsignsandblanksigns.Correspondingly,generaltextsarecomposedofrealsigns,andspecialtextsarecomposedofbothrealsignsandblanksigns.Inart,specialtextsareusuallyconsideredtobeexamplesofthefreehandstyle.AtypicalexampleofthefreehandstyleisthetombstoneofHuoQubing,whichoffersus108符号与传媒煤（26）insightsintothegenerationofmeaningintextsproducedinthefreehandstyle.Themainmechanismistheinteractionbetweenrealsignsandblanksigns,whichfeaturesbothunityandrejection.Inatext,realsignsandblanksignsarecontradictory:realsignsareconventional,andthereisanagreementonthewaytointerpretthesign,whereasblanksignsrejectthelimitationsimposedbytheseconventions.Unityarisesfromtherealsigns'connectionstoagenreoftext;rejectionarisesfromthepauseintroducedbyblanksignsthatreflectstheabsenceofrealsigns.Suchpausesdirectlydenotethelimitationsofrealsigns.Therefore,theblanksigns'rejectionofgenreconventionsisanadditionalcodeintheanti-genremoodofthefreehandstyleinartistictexts.Keywords:blanksign,tombstonecarvingsofHuoQubing,freehandstyle,blank-leavingDOI:10.13760/b.cnki.sam.202301009、“留白”上与空符号在中国艺术写意风格的创作中，“留白”在符号文本里...
