新安画派对晚清民国浅绛彩瓷的影响*钟燕(景德镇陶瓷大学江西景德镇333000)摘要浅绛彩瓷属于一种釉上彩瓷,并流行于晚清至民国这段时期。以程门、王少维、金品卿3大浅绛彩瓷名家领衔的新安画派首次将“诗、书、画、印”的艺术风格融入浅绛彩瓷,从而开创了一个瓷画、瓷绘技艺与传统绘画相嵌合的釉上彩瓷绘发展全新格局。新安画派对浅绛彩瓷影响颇深,这不仅有景德镇与徽州地理因素的影响,还有新安画派与浅绛彩瓷二者之间契合的审美以及美学思想。关键词新安画派浅绛彩瓷釉上彩瓷绘中图分类号:TQ174.74;J527文献标识码:A文章编号:1002-2872(2023)02-0060-03TheInfluenceofXin'anSchoolontheLightCrimsonColorintheLateQingDynastyandtheRepublicofChinaZhongYan(JingdezhenCeramicUniversity,Jiangxi,Jingdezhen,333000,China)Abstract:Lightcrimsoncolorporcelainisakindofoverglazedcolorporcelain,whichwaspopularfromthelateQingDynas-tytotheRepublicofChina.TheXin'anSchool,ledbyChengMen,WangShaoweiandJinPinqing,wasthefirsttoin-tegratetheartisticstyleofPoetry,Calligraphy,PaintingandPrintingintothelightcrimsoncolorporcelain,thuscreatinganewdevelopmentpatternofon-glazecolorporcelainpaintinginwhichporcelainpainting,paintingtechniques,andtradi-tionalpaintingareintegrated.Althoughthelightcrimsonporcelainpaintingtechniquehasbecomeathingofthepast,itstillhasahighresearchvalue.Amongthem,Xin'anSchoolofpaintinghasaprofoundinfluenceonit,whichisnotonlyin-fluencedbythegeographicalfactorsofJingdezhenandHuizhou,butalsotheaestheticandaestheticthoughtsofXin'anSchoolofpaintingandlightcrimsoncolor.Keywords:Xin'anSchoolofPainting;Lightcrimsoncolouredporcelain;Paintedonglazedporcelain自元代以后景德镇成为了全国的制瓷中心。在清末至民国时期,浅绛彩瓷画的兴衰迭代正在景德镇上演。其中,由新安画派的名家程门在清代中后期基于文人画“以书入画”的审美观念,开创的浅绛彩文人瓷画正慢慢地进入大众视野。新安画派“以书入画”的文人画审美理念促进了浅绛彩瓷艺术蓬勃发展,并且进一步反哺景德镇的瓷画艺术。1新安画派对浅绛彩瓷瓷绘发展影响1.1浅绛彩瓷瓷绘的发展背景“浅绛”一词源自浅绛山水,起初是董源基于吴道子的“吴装”山水而衍生的一种画法,盛于黄公望,后由文征明、沈周二人继承发展[1],是一种基...
