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叙述文体学视角下《五号屠场》的主题建构_陈卓.pdf
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五号屠场 叙述 文体 视角 五号 屠场 主题 建构 陈卓
分类编号:单位代码:100068 密 级:公开 学 号:y200068 天津外国语大学 研究生学位论文 A Narrative Stylistic Perspective to the Thematic Construction in Slaughterhouse-Five 叙述叙述文体学视角下五号屠场文体学视角下五号屠场 的主题建构的主题建构 学生姓名:陈卓 申请学位级别:硕士 申请专业名称:英语语言文学 研究方向:英语语言学 指导教师姓名:刘宏伟 专业技术职称:教授 提交论文日期:2023 年 1 月 A Narrative Stylistic Perspective to the Thematic Construction in Slaughterhouse-Five By Chen Zhuo A THESIS SUBMITTED TO GRADUATE SCHOOL AND SCHOOL OF ENGLISH STUDIES IN PARTIAL FULFILLMENT OF REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Under the Supervision of Professor Liu Hongwei Tianjin Foreign Studies University January 2023 !#$%&()*本人声明所呈交的学位论文是本人在导师的指导下进行的研究工作及取得的研究成果。据我所知,除了文中特别加以标注和致谢的地方外,论文中不包含其他人已经发表或撰写过的研究成果,也不包含为获得天津外国语大学或其他教育机构的学位或证书而使用过的材料。学位论文作者签名:签字日期:2022 年 12 月 11 日 !#$+,-.()*本人同意在校攻读学位期间论文工作的知识产权单位属于天津外国语大学。本人保证毕业离校后,发表本论文或使用本论文成果时署名单位仍为天津外国语大学。学校有权保留学位论文并向国家主管部门或其他制定机构交送论文的电子版和纸质版,允许论文被查阅和借阅,有权将学位论文的全部或部分内容编入有关数据库进行检索,可以采用影印、缩影或其他复制手段保存学位论文,可以公开学位论文的全部或部分内容。本学位论文属于(请在以上相应方框内打“”)保密,在 年解密后试用本授权书 不保密 学位论文作者签名:导师签名:日期:2022 年 12 月 11 日 日期:2022 年 12 月 11 日I /0/0!一转眼研究生期间的学习即将步入尾声,两年半的学习紧张而充实。在论文写作的过程中,我得到了很多人的支持和帮助,才能最终克服困难,为自己研究生学习生涯交上最后一份答卷。首先,我想衷心感谢我的导师刘宏伟教授,她是我在学习中、工作中和生活上的榜样,刘教授在我的论文写作的各个阶段都给予了耐心的指导,她严谨的学术精神一直影响着、指引着我不断前进。此外,我还要感谢在研究生期间为我们授业解惑的教授们,是他们带领我进入语言学这一深奥且有趣的领域,感谢项成东教授、田海龙教授、王晓军教授、张蕾教授、晏尚元副教授、李昊平老师和其他任课老师。感谢我的朋友和同学在学业上和生活上的支持,和他们相处的期间,我感受到了他们的关心、关爱和帮助。最后感谢我的家人在我求学期间给予我无条件的支持和鼓励。II Acknowledgements In a blink of an eye,my postgraduate study is coming to an end,and the two and a half years of study are intense and fulfilling.In the process of writing the thesis,I received support and help from many people,which helped me finally overcome the difficulties and submit the last answer sheet for my postgraduate study.First,I would like to express my heartfelt thanks to my dear supervisor,Professor Liu Hongwei.She is my role model in my study,work,and life.Professor Liu has given me patient guidance at all stages of my dissertation writing,and her rigorous academic spirit has guided me all the time and helped me move forward.In addition,I would also like to thank the professors who taught us during the postgraduate period.They brought me into the profound and exciting field of linguistics.I would like to thank Professor Xiang Chengdong,Professor Tian Hailong,Professor Wang Xiaojun,Professor Zhang Lei,Associate Professor Yan Shangyuan,Teacher Li Haoping,and other teachers.I would like to thank my friends and classmates for their support in my studies and life.During the time I spent with them,I received their care,help,and love.Finally,I would like to thank my family for their unconditional support and encouragement during my studies.III#!库尔特冯内古特(1922-2007)创作的长篇小说五号屠场是他众多小说中最著名的一部。小说以他自身的二战经历作为背景,讲述了第二次世界大战中的德累斯顿大轰炸。小说出版后荣登纽约时报畅销书的榜首,收到来自各界的热烈反响。叙述文体学结合了叙述学和文体学的理论,为文学分析提供了新视角。本文以叙述文体学为理论框架,从时间、人物、视角三个角度,综合分析小说五号屠场的叙事技巧和文体特征,全面地揭示小说的主题和作者的写作意图。五号屠场打破了传统的叙事时间,采用时序倒错和多重叙述,在不同语域中使用不同特色的语言,呈现出混乱的故事世界。小说在人物刻画上采用间接表现的方式,聚焦人物在不同时间行动、外貌、称谓的变化,体现出战争对人类身体和精神的残害,突出反英雄的主题。作者结合指示语、图式语言、心理顺序的语言表征等语言特征,通过感知视角带领读者亲眼见证战争的残酷,通过概念视角表达反战思想,深化反战主题,激发读者的反战情绪。本文验证了在结构形式层面上叙述学和文体学结合的可行性,以叙事技巧作为宏观框架和出发点,从微观上探寻语言特征,从而更深入、全面地阐释小说的主题意义和美学效果。!#$叙述文体;时间技巧;人物刻画;叙事视角 IV Abstract Slaughterhouse-Five,one of Kurt Vonneguts(1922-2007)most famous novels,portrays the Dresden bombing in World War II with his own war experience as background.After its publication,the novel reached the top of the New York Times bestseller list and received an enthusiastic response from all walks of life.Narrative stylistics is an interdisciplinary study combing narratology and stylistics,providing novel perspectives for literary analysis.This thesis adopts a narrative stylistic framework to analyze the narrative techniques and stylistic features of Slaughterhouse-Five from three perspectives:time,character,and point of view,and to disclose the novels themes and the authors intentions in a comprehensive manner.The novel breaks the traditional narrative time and adopts distorted temporal order and repetitive narrative,combining various linguistic features in different registers to present a chaotic story world.In terms of characterization,the novel adopts indirect presentation to build the characters images through the changes in their actions,appearances,and addressing terms at different periods,reflecting the physical and mental damages of human beings caused by war and constructing the anti-hero theme.The author combines points of view with linguistic indicators,deixis,schema-oriented language,and linguistic representation of psychological sequences.He leads readers to witness the brutality of war through the perceptual points of view and expresses anti-war ideologies through conceptual points of view in order to deepen the anti-war theme and stimulate readers!anti-war sentiment.This thesis verifies the feasibility of combining narratology and stylistics at the level of forms,taking the narrative techniques as the macro-framework as well as the starting point.Meanwhile,it explores the lingui

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