昆明乌龙古渔村复兴改造.pdf

昆明乌龙古渔村复兴改造RENOVATION PROJECT OF WULONG ANCIENT FISHING VILLAGE设计：乡伴朱胜萱工作室地点：云南省昆明市Design:Xband ZHU Shengxuan Studio Location:Kunming,Yunnan Province132特辑：文旅为媒，城乡共生 CulturalTourismasaCatalystforUrban-RuralSymbiosis展示区鸟瞰 Aerial view of the exhibition area E.Lit.光影空间 E.Lit.1332022.12 建筑实践ArchitecturalPractice乌龙古渔村至今已有 600 多年历史。这里因毗邻滇池、背靠七星山，成为老昆明传统文化腹地和文化记忆的传承地，不仅有昆明传统的“一颗印”建筑，以及“三合院”“走马转角楼”等民居，还有清代、民国时期的古建筑共计 279 栋，被摄影爱好者称为昆明的民居博物馆。随着社会经济的飞速发展和大规模的城市开发建设，以乌龙村为代表的近郊传统村落的发展空间受到压缩，乡村快速地衰落；同时，为配合滇池生态保护，乌龙村 2019 年完成整村村民搬迁。在整村凋零的大背景下，推进“一颗印”古民居建筑群的保护和传承工作迫在眉睫。2020 年，秉持保护性开发的原则，乡伴朱胜萱工作室携手华侨城，启动呈贡乌龙古渔村美丽乡村打造计划，以现存 270 余栋遗留老建筑、老院落为载体，通过恢复性建设的方式，将现代的骨架、文化的灵魂和自然的外衣进行结合，让残损的老建筑恢复当年的容光。建筑师在老建筑的恢复性修建中融入活化利用的经营理念，真正让古渔村的人气和烟火气得到重现。设计采用“织补”与“锚固”的策略对项目进行民居空间、特色文化的还原以及文旅产业、新乡村生活场景的再造。新乡村社群的织补。通过引入当地艺术家以及周边的大学等研究机构，构建“新村民艺术生活空间”的“未来乡村互动社区”，以解决原住民外迁后形成的空心化问题。业主昆明华侨城美丽乡村发展有限公司项目总负责人朱胜萱主持建筑师郑光强、陈新、孙源设计团队策划设计：卫宏健、饶中、郭竹林规划设计：梅杰、宋波、吴建明建筑设计：徐昊、王睿、赵海源、谭人殊、董津伦、李小妮、朱芳仪、谭爽、罗英婕景观设计：苏奇、董津伦、李小妮、朱芳仪、谭爽、罗英婕、陈国伟、陈征、韩龙施工单位云南信丰建筑工程有限公司基地面积100,000 m2建筑面积6,000 m2（展示区）设计周期2020.42020.6建造周期2020.62020.12新文旅业态的织补。打造占地约 10hm2的展示区，结合对“一颗印”古民居的修缮和复建，导入萱草书屋、大师工作室和自然教室等文旅服务业态，进一步打造展示滇中传统民居的“露天博物馆”和滇池畔典型渔耕原乡文化的乡土聚落。民居风貌的锚固。对于建筑结构较好的民居，在遵循老建筑自身建构逻辑基础上，传承传统营造技艺进行修缮，实现修旧如旧。考虑到科技的发展产生了先进的建筑结构技术，新的技术已成为实现建筑形式创新的关键要素。对于难以修复的民居，则借助现代材料和创新工艺进行复建，通过“传统元素提取、特色保护优先、空间现代转译、材料新旧运用”等方式，以新补旧，打造风貌统一的“一颗印”建筑群。生活场景的锚固。在室内和软装设计中，结合古渔村文脉，“渔浦星灯”和“耕读传家”的主题贯穿乌龙村各项目改造始终，在强调古与今、新与旧的碰撞、融合的同时，塑造符合传统村落气质又迎合未来使用需求的书屋、工坊、文教、商业空间。朱胜萱工作室通过涵盖策划、规划、建筑、室内、景观、软装、文创策展等环节的全过程设计，让乌龙古渔村再现“渔浦星灯”里的昆明记忆、呈现田园牧歌式的美丽乡村新场景。未来，乌龙村的活化更新将继续以滇池生态保护、古建筑风貌再现、历史文化传承为核心，挖掘当地自然人文资源，以自然景观、乡村文化为重点打造特色农耕田园风光，在保存乌龙古渔村原乡原貌的同时赋予其新的生命力。展示区总体一层平面图 General first floor plan of the exhibition areaN08420m111123451 大师工作室2 杨氏宅院3 文创商店4 自然教室5 萱草书屋1 Master Studio2 Family YANGs courtyard3 Cultural and Creative Store4 Nature Classroom5 Hemerocallis Library134特辑：文旅为媒，城乡共生 CulturalTourismasaCatalystforUrban-RuralSymbiosisCLIENTKunmingOCTBeautifulRuralDevelopmentCo.,Ltd.PRINCIPAL INVESTIGATORZHUShengxuanCHIEF ARCHITECTSZHENGGuangqiang,CHENXin,SUNYuanDISIGN TEAMSCHEMEDISIGN:WEIHongjian,RAOZhong,GUOZhulinPLANNINGDISIGN:MEIJie,SONGBo,WUJianmingARCHITECTURALDESIGN:XUHao,WANGRui,ZHAOHaiyuan,TANRenshu,DONGJinlun,LIXiaoni,ZHUFangyi,TANShuang,LUOYingjieLANDSCAPEDESIGN:SUQi,DONGJinlun,LIXiaoni,ZHUFangyi,TANShuang,LUOYingjie,CHENGuowei,CHENZheng,HANLongCONSTRUCTION COMPANYYunnanXinfengConstructionEngineeringCo.,Ltd.SITE AREA100,000m2GROSS FLOOR AREA6,000m2（exhibitionarea）DESIGN PERIOD2020.42020.6CONSTRUCTION PERIOD2020.62020.12Wulong Ancient Fishing Village has a history of more than 600 years.Adjacent to Dianchi Lake and backed by Qixing Mountain,it has become the hinterland of traditional culture and the heritage of cultural memory of old Kunming.There are not only traditional“one seal”buildings in Kunming,but also“courtyard house”and“corner building”and other residential buildings in Kunming.There are 279 ancient buildings built in the Qing dynasty or the Republican period,for which the village is called Kunming residential museum by photographers.Following the speedy socio-economic develop-ment and large-scale urban construction,the devel-opment space of the suburban traditional villages represented by Wulong Village has been increas-ingly squeezed,leaving the countryside in a state of rapid decay.In the meantime,for the sake of harmonizing with the ecological protection of Dian-chi Lake,Wulong Village completed the relocation of the whole villagers in 2019.Against the backdrop of the whole village withering,it is imperative to advance the protection and inheritance of the“one seal”ancient traditional residence complex.In 2020,adhering to the principle of protective development,Xband ZHU Shengxuan Studio,to-gether with OCT,started to build a beautiful village of Wulong Ancient Fishing Village in Chenggong.With more than 270 existing old buildings and old courtyards as the carrier,the damaged old buildings are restored to their original appearance with mod-ern skeleton,cultural soul and natural coat through restorative construction.The business philosophy of building and re-integrating activation and utilization really makes the popularity and pyrotechnics of the ancient fishing village reappear.This design adopts the strategy of“mending”and“anchoring”to restore and recreate the residential space,characteristic culture,as well as the cultural tourism industry and new rural living scene.Mending of the new village community:It is conducted through the introduction of local artists and the surrounding university research institutions,constructing the“future rural interactive communi-ty”of“new village art living space”to make up for the hollowing of the indigenous people after their relocation.Mending of new cultural tourism businesses:The exhibition area is built with an area of about 10 hm2,in conjunction with the restoration and reconstruction of the“one seal”traditional res-idence,the cultural tourism service businesses such as Hemerocallis