戏剧翻译研究.pdf

?(CIP)?2012.2?ISBN 978-7-308-09582-2 I.?II.?III.?IV.?H315.9?I046 !?#$%CIP&()(2012)*011597+?(?148?310007)(?:http:/)?!#$%&(?710mm1000mm 1/16?12.5?262)?2012*2+,1?2012*2+,1-.?ISBN 978-7-308-09582-2?35.00&?/012345 (0571)88925591?i?1*,-?./0123 1*4-?.561785*9-?.:;-?5?10?!#$%&!?16*,-Zich 1 Mukarovsk.?+ABC17*4-Bogatyrv 1 Honzl.?+DEF19*9-GHI?J.?+KLMNF20*-Kowzan.?+OPQR 22*S-Ubersfeld.?+?TR28*U-?+?V?NF.WX30?(?)*!?+?,-./0 33*,-?YZ.78 33*4-?.36*9-?.40*-?.?M_ 42*S-?.ab 44?1?)2!?,345?47*,-cde?fg7.hij47*4-kl?f,mno,pqrj 49?*9-st?ufvjw?52*-xyz?f|Y?j 54*S-?e?f?.?j1f?.?j 58*U-?f?C?v?j 60?6?!?,785?/0 63*,-?.63*4-?.?1?67*9-?.?V?69*-?.?b71*S-?.?7?75?9?!:?#$&!?84*,-?.?85*4-?.?105*9-?.qr?116*-?.DY?119?;?!-?C?.?143?=?!?,?&A 148*,-?.148*4-?.“153 BC?!?+?DE 162,?fi?fl?p?.V?162 4?kl%?p?.V?170 FGHI 183 J K 195?20”80?“?.?“?.:;?.?9?M?q3?N?1?0?.?V?.?.Y?.?q?.?NF1?A?N?+?F?M?.2?,p?.?.?w?Yu?.?V?q?2?1?.?.?q?.71?v.?Gunilla Anderman?f?u?V?.?.j?Anderman?1998?71?!?NF Susan Bassnett!?f?#$%?&.,p?().?*+?j?Bassnett?1998?90?(,?-./?0.?1_?2345?.6n7?787?7?DY7?/C?.79:?f?;?.7?./$;?AB?C.?_.?0?2;45?D.,Ej?Bassnett?1985?87?F.?G?=?aHfI,?JK?,LJMN,LJ?j?Lai?1995?160?O?f?.PQR1?,p?S?.PQj?Wellwarth?1981?145?TUV?W?XY.9?“1!Z.,?NF 1?+?NFu?1?,O?._?F?a?NF“;.b?cd!D.,?NF 1?G?e?+.DEOP f4g?I?e?.?MhLif?j?k.?$l2mn*,nuoF?p?./0123?.56178?.:;n2vV!ZD?.:;NF?Y?p1w?*9nF!D?.,(?YZ.78?.?.?.?M_1?.ab?*nx?p1?!Z.yb?z?cde?kl?st?xyz?e?.NF1?.?:*Snu?.NF?n?.|?7?787?07?DY7?7?7?7?qr717?s?.?1?.?V?F?.?b1?.?7?*Unu?+?*+.l?*?w?3?.?%?.?1?n?R?.?1?.?qr?DY?0.?O?w?+V?.tu*?nu?+?-?.?2?/?Z.?n?.?+?.?+?.1?C?.?+,E?F?+V?y.tu*mnu?.?“n?p?1“.,561NF?w?.:;,E?F?R?.,?“?2?R?2?.NF1“?2vV!?Y fi?fl?.?.p?1?!?Y kl.%?.p?fV?#?v?.,7?.f?v7j1f?67j?v?.fDY7j?C?.f?7j?.*q$*4n1*9n.?2?D!?2008*6?!D?D?2009*3?F?.:;?1D!?2010*3?GHI?JV?NF.WX?r?2011 6?!?#$%&?()?*+,?-?./0?1?2?3?4?5?267?89:?;?/?A?1?B?CD?EFGHIJK?=.LM?2NAOPQR?STU/VA/0AWXAYZ?T?2?P?_abc?def?A?gh?A?igh?A?jgh?Aklgh?A?R_?mm?noLM?pqrs?tuVcvw?Axw?Ayz?A?yz?q?A|w?A|?mm?1?.?%&?%&?-?2?3?t?67?yz67?U,?!?A!“?A!y?A!?m?pfifl?A?I?,?1!?hP?&?UL”?1?A?A“?Ay?q?Aw?mI2?.?.?P*+?m?2006?37?c?c?1980?80?!?h1!?7?7?A.yz?67?2?c?R?i?5?2005?1462?!?h1!?767?V?2?67?1?3AAym?1?A?A“?Ay?m?t?1:?A?A?m?i?3?2001?1059-1060?!?!?3?2?7?7?67?V?671?3AAyA+?m?A?A“?Ay?m?1:?A?A?m?1T?A?R?A?m?.!?1957?cU!?1?!?#$?%?&?2?(?67)?*+?,?P?-.A“/A?3?.?,A?QK?70?1?4?23?45?.yz?67?6?5?7?8?9?:;?6?8?U?A?BCD?Eh?$?5$?U7?67?F?G?H?R?i?P?i?h?IU!I2?B?F?3A A yJ+?m?67KLK?L?AMNAxOAPQA=RAm?5?!?S?6?TU?57?67?57?V?7?(,?0W?M?1?XY?Z7 Peter Brook.?YX The Empty Space?W?!_?ab?cK?d 1ce?yz?.f?g?h?cK?iH?j?U?Brook?1996?7?kHlG?%S?m?.?n?fo?n?n?n4!?$?!?#$?%&()*?+,-./01234567?89?drama?:;-?ABC?D?EFGH1IJ234567?KL?1?MFNO1P2QFRS1?T?FUV1W?XY Z?p?&?qh?!?L?Martin Esslin$?!?r?s?t?F?u?B?h?vw?x?F?yE?$z?Esslin?1976?57?_?c?I&?h?R6?|?d?2HP?2?JF?F?2?A?2?A?2?A?2?J$?2yz?A?2?7?A?2R?A?27?A?2Z7?A?2?tJ$?2?A?2?A?2?M?A?2?=?A?2?A?2?J$?&?A?1?A?2?C22?L?i?b?2?.?1QK?A?3m?PcK?d?A?A?m?w?_?#?QK?PcK?d?1!?$?d?1Qc?d?b?2?5?#V*+?1?A?A?Ay?A?P“?3?yz?MQ?(?%?fiC?d1?CS?b?2?fl(?6?_?232?6?#?1?1?3?6?2?6?A?AAm?3?6?A”?PcK?M?4?6?(?4cK?j?5?y?6?,?,?/?mm?$?#?3AA?A?Aym?67?1?6?.?yz?fi?Vk?6r2?.?6?3?yzMNAPQA=RAxOA?mm?7?67?$?2?g?7c?P?l?.?H?7?67?$?c?7c?6,?P?6?A7A?APQA=RAxO?P7?mm?.?(dramaAtheatre J play 6?EhQ?Q?b?M?23 The Encyclopedia Americana?2006?drama!?767?3?$?.?yz7c?theater!g?267?m?67?HJ?.theater 6?5?X?|?6,?A“/?J7?#U?B?5?c?.?V4?U?&?theater P drama?&?.?drama?67?3?theater?67?B?HlG?F?play?23 The Oxford Companion to the Theatre?1983?drama?1yz7c?d English dramaAFrench drama?DA?JQR?&?d restoration dramaA realistic drama?play?7.yzA|Jq?7c?Jb?67?V?A:?P?m?theatre 767?A?JS?c?(?3?Q?3?J?P?+?Robert Cohen.Theatre?Brief Version?1997?U drama P theatre?Eh?drama?89?,?dran?E1!A!,J!67?theatre?89?theatron?!?1?,?#E?.?m?h?!.?1?,?,?J?$?!?1?,?drama?theater?L?!?/V.?jQK?3?jcK?theatre P drama?(?B?Eh?theatre?drama L#?theatre?)?A?A67AMN?HA?A?m?drama?(z.Eh?I?A?J?3?Cohen?1997?10?C?a?drama P theatre E?OLM?.?A?3A?+3m?I?(drama?.67?OI(theatre?drama P play?1?3?theatre?A67?A+?m?drama P play?kd?LM?E?7c?V?3?BDg?2?drama P play#?1?theatre?6?S?MNA,?AAxOAPQA?m2?fi?drama P play?V?theatre?7c?fiC?drama P play?1?theatre?Robert Cohen?1?k?!?:;?Ud?r?1?*:_1?a%1?*:b41?cdef1?*:g41?h1?*:ij1?kl1?*:mn1Y 4oOd?*:pqrstu1?*:vu1rswx1?*:ey1Y zCohen?1997?5?L?:;?2?YI?23LM?1LM?2?k?1Ij?A?j?P?6?1?A“?Ay?A?m?1?AT?Ap?A?A?A?m?1:?A?P?B?LB?I?V?VQt?b?d?!(?:?t?Ij?t?T?M?6?#?A?J?D?$%?t?&?1LM?2?d:?t?1?:?A?D:?Afl:?(:?m?)?1*+?A?A,-?A.?m?Q?c?E2?/?d:?m?:;?/U?01?2?Kruger?2000?20?.Lexical Cohesion and Register Variation in Translation?01?3?Ufi?4?c playA scriptA dramatic textAtheatre textAperformance P mise en scne?mm?Y;?5D?j?U?01?2?6P7?8?.?01?(?9:?(?67?;?01?d drama translation%theatre translation?Zuber-Skerritt?1988?485?A page translation%stage translation?Pavis?1992?145?A aesthetic%commercial?Bassenett?1991?105?A retrospective%prospective page-oriented%stage-oriented?Kruger?2000?1-2?mm?A?01?Sirkku Aaltonen.Time-Sharing on Stage:Drama Translation in Theatre and Society?1?theatre text L?%dramatic text Mh?E.?B?1LMfi?J?m?(?CLMfi?D?=?(?67?dramatic text d1 theatre text?fiC?drama translation?3P67fi?01?theatre translation5?67f